Liu Lei earned a Bachelor's degree from the Second Studio of the Printmaking Department at the Central Academy of Fine Arts in 2005. She earned a Master's degree from the Printmaking Depart-ment at the same institution in 2017, under the guidance of Professor Zhou Jirong. Since 2020, she has been pursuing a doctoral degree at the Graduate School of the Central Academy of Fine Arts, under the supervision of Professors Zhou Jirong and Liu Libin. Her doctoral degree was obtained in 2023.
Since 2006, Liu Lei has exhibited her work in galleries and museums throughout China.
Liu lei has been involved in printmaking creation and research since her undergraduate studies. Liu lei's attention is particularly drawn to paper. However, in her overall creation, paper has surpassed its simple role as a carrier and has become a printmaking medium, exploring the possibility of expanding the form and language of printmaking expression. As an artistic creation, it also reflects her perception and cognition of society and thought.
Liu Lei's artistic methodology is derived from the "block-printing" mode of printmaking. She uses paper material to portray the relationship between the artist and contemporary life as well as the external world. Liu Lei believes that she is still in the embryonic stage of this path, which is a difficult and lengthy process that requires constant self-examination and self-transcendence in order to blossom and bear fruit. This process is similar to her artwork, which requires peeling away layer by layer to approach the true essence of things.
Through this work, Liu Lei aims to simulate the process of human cognition. Human cognition starts with surface appearances, but how far is it from the truth? While the truth may be elusive, she firmly believes that behind surface appearance there is more than meets the eye. The changes in the paper layers and traces reveal the truth behind it, and the color shifts also reflect the limits of human understanding.
Liu Lei earned a Bachelor's degree from the Second Studio of the Printmaking Department at the Central Academy of Fine Arts in 2005. She earned a Master's degree from the Printmaking Depart-ment at the same institution in 2017, under the guidance of Professor Zhou Jirong. Since 2020, she has been pursuing a doctoral degree at the Graduate School of the Central Academy of Fine Arts, under the supervision of Professors Zhou Jirong and Liu Libin. Her doctoral degree was obtained in 2023.
Since 2006, Liu Lei has exhibited her work in galleries and museums throughout China.
Liu lei has been involved in printmaking creation and research since her undergraduate studies. Liu lei's attention is particularly drawn to paper. However, in her overall creation, paper has surpassed its simple role as a carrier and has become a printmaking medium, exploring the possibility of expanding the form and language of printmaking expression. As an artistic creation, it also reflects her perception and cognition of society and thought.
Liu Lei's artistic methodology is derived from the "block-printing" mode of printmaking. She uses paper material to portray the relationship between the artist and contemporary life as well as the external world. Liu Lei believes that she is still in the embryonic stage of this path, which is a difficult and lengthy process that requires constant self-examination and self-transcendence in order to blossom and bear fruit. This process is similar to her artwork, which requires peeling away layer by layer to approach the true essence of things.
Through this work, Liu Lei aims to simulate the process of human cognition. Human cognition starts with surface appearances, but how far is it from the truth? While the truth may be elusive, she firmly believes that behind surface appearance there is more than meets the eye. The changes in the paper layers and traces reveal the truth behind it, and the color shifts also reflect the limits of human understanding.
Born in Chengde, Hebei province in 1980, she earned her Bachelor's degree from the Second Studio of the Printmaking Department at the Central Academy of Fine Arts in 2005. She continued her studies there, obtaining a Master's degree under the guidance of Professor Zhou Jirong in 2017. From 2020, she pursued a doctoral degree at the Graduate School of the Central Academy of Fine Arts, under the supervision of Professor Zhou Jirong and Professor Liu Libin, which she successfully obtained in 2023.
Exhibitions
2023 Art021 Shanghai
2022 "Invisible Traces: Contemporary Art Group Exhibition," M Woods Museum, Beijing
2021 "Centennial Mission, Artistic Heritage" Central Academy of Fine Arts Graduate School Doctoral (Student) Exhibition Celebrating the 100th Anniversary of the Founding of the Communist Party of China, Central Academy of Fine Arts Graduate School Boya Exhibition Hall, Beijing.
2020 "Teaching and Research Exhibition of Printmaking Department, Central Academy of Fine Arts", Taoxiquan Art Museum, Central Academy of Fine Arts, Jingdezhen.
2019 "Talking about Paper - Contemporary Art Exhibition of Chinese Paper Culture" at Zhejiang Art Museum, Hangzhou "Tribute to Tradition - Contemporary Paper Art Touring Exhibition" at Today Art Museum, Beijing, Shandong Art Museum, Jinan.
2018 The work "Shape of Hidden 3" participated in the "Printmaking China" touring exhibition.
2017 "Monsoon, Harvest" ZREO Art Center, Beijing.
2016 The works "Time Tells Me What Pain Feels Like" and "Before We Get Close" were selected for the "2016 Virtual Garden International Print Biennial Exhibition" in Beijing.
2011 "Art Archive of Post-80s", Songzhuang Art Museum, Beijing.
2010 "Home", Lion Art Gallery, Shanghai
2010 "Fragrant Place", Dabu Cultural and Art Center, Beijing
2010 "Linglong Tower", Yuan Xiaocen Art Museum, Kunming
2010 "House", Art Law Gallery, Shanghai.
2009 "Hua Xin" exhibition, Art Scene Gallery, Shanghai "Winter Exhibition", Art Scene Gallery, Shanghai.
2006 " Dragon Airlines' Exhibition of Emerging Chinese Artists", Art Scene Gallery, Shanghai.
2005 "The Light of the Academy" Exhibition, Central Academy of Fine Arts Museum, Beijing.
2004 "Paper Traces", Guangshi Cultural Center Observation Gallery, Beijing
2004 "Print Exhibition of China, Japan and South Korea", Tokyo
2004 Selected for "National Higher Education Printmaking Annual Meeting", Central Academy of Fine Arts, Beijing.