Tan Danwu, born in Chenzhou, Hunan province in 1986, has received his Bachelor’s and Master’s degree from the Sculpture Department of Central Academy of Fine Arts in Beijing. Presenting a new generation of sculpture artists in China, Tan Danwu harnesses the strength and beauty of porcelain to create his fine sculptures and reliefs. The artist’s earlier works bared an uncanny resemblance with original models. Upon the completion of his studies , Tan Danwu changed his perspective and broke away from the hyper realistic approach he used to adopt.
Tan Danwu’s earlier oeuvre of works included indoor and outdoor installations as well as sculptures in different media. A recent porcelain relief installation, entitled “Linear City” stands out from the artist’s works. Exploring sculptural and architectural construction concepts, Tan Danwu draws his inspiration from the fundamental principle of Yin and Yang in Chinese philosophy, as well as painterly and literal traditions. Filigree lines of black on white porcelain, that may remind the viewer of delicate ink brushstroke on traditional Chinese calligraphy or ink paintings, are meant to symbolize the fragility of modern city structures.
Tan Danwu, born in Chenzhou, Hunan province in 1986, has received his Bachelor’s and Master’s degree from the Sculpture Department of Central Academy of Fine Arts in Beijing. Presenting a new generation of sculpture artists in China, Tan Danwu harnesses the strength and beauty of porcelain to create his fine sculptures and reliefs. The artist’s earlier works bared an uncanny resemblance with original models. Upon the completion of his studies , Tan Danwu changed his perspective and broke away from the hyper realistic approach he used to adopt.
Tan Danwu’s earlier oeuvre of works included indoor and outdoor installations as well as sculptures in different media. A recent porcelain relief installation, entitled “Linear City” stands out from the artist’s works. Exploring sculptural and architectural construction concepts, Tan Danwu draws his inspiration from the fundamental principle of Yin and Yang in Chinese philosophy, as well as painterly and literal traditions. Filigree lines of black on white porcelain, that may remind the viewer of delicate ink brushstroke on traditional Chinese calligraphy or ink paintings, are meant to symbolize the fragility of modern city structures.
1986 | Born in Chenzhou, Hunan, China |
2012 | Graduated with a Bachelor’s Degree from Sculpture Department of the Central Academy of Fine Arts, Beijing, China |
2017 | Graduated with a Master’s Degree from Sculpture Department of the Central Academy of Fine Arts, Beijing, China |
SOLO EXHIBITIONS
2019 | Unlimited: Tan Danwu Solo Exhibition, Giant Year Art Gallery, Hong Kong |
GROUP EXHIBITIONS
2019 | In Between Days IX: Group Exhibition by the Gallery Artists, Art+ Shanghai Gallery, Shanghai, China |
2018 | The New Talent, The New Age, The Second Exhibition of Excellent Works by Young Artists in Jiangxi Province, Jiangxi Provincial Art Museum, Nanchang, Jiangxi The Boundary of the Object, The Exhibition of the Fourth Studio of The Sculpture Department of Central Academy of Fine Arts, Taoxichuan Art Museum, Jingdezhen, Jiangxi Touch Jingdezhen to Excite the Emotions, Art Exhibition by CAFA Alumni in Jingdezhen, Taoxichuan Art Museum, Jingdezhen, Jiangxi The Third Guandong Contemporary Ceramic Art Exhibition, Guangzhou Fine Arts Institute Art Museum Guangzhou, Guangdong Art Central Hong Kong, Art+ Shanghai Gallery, Central Harborfront, Hong Kong Today Wall Power, The 3rd Edition of Wallpost Artist Exhibition, Today Art Museum, Beijing |
2017 | I Will be Your Eyes: Little Narratives Group Exhibition, Art+ Shanghai Gallery, Shanghai Central Academy of Fine Arts Post-graduation Show, CAFA, Beijing, China |
2016 | Rejuvenation, Thornwillow Institute, Newburgh, New York, USA |
2015 | ISCAEE International Society for Ceramic Art Education and Exchange Exhibition, Yixing, Jiangsu, China Contemporary International Ceramic Exhibition, Jingdezhen, Jiangxi, China Nature of the Academy, CAFA Museum, Beijing, China Reconstructed Space, Beijing Lotus Art Museum, Beijing, China DA YUN Sculpture Group Show, Dayuntang Art Museum, Beijing, China |
2014 | Resonance, Central Academy of Fine Arts Graduation Show, CAFA Museum, Beijing, China Chinese Ceramic Art 100, Beijing, China Jiangsu Ceramic Art Competition Show, Nanjing, China 12th Nationwide Ceramic Art Exhibition, Xian, China Asian Contemporary Ceramic Art Exhibition, Inchon, Korea |
2013 | 3rd Biennale of Western China Ceramic Art, Chengdu, Sichuan, China 10th Chinese Art Festival Ceramic Art Exhibition, Jinan, Shandong, China 2nd Gaoling International Art Competition, Jingdezhen, Jiangxi, China Sculpture Olympics, Beijing, China |
2012 | Art Fair of the Undergraduates, Guangzhou, Guangdong, China Dazhongsi Zhongkun Art Show, Beijing, China |
AWARDS
2019 | “Linear City 2” Second Prize, Outstanding Young Artists in Jiangxi Province, Jiangxi |
2018 | “Linear City 2” entered the collection of the OCI Museum, Seoul, South Korea Linear City, Nominated at The First Chinese and Foreign Art Literature Award, Sino-Foreign Art Research Institute, Sino-Foreign Art Literature Museum, Beijing |
2017 | Graduation Creative Award, CAFA, Beijing, China |
2016 | Winner of 2015-2016 Academic Year Master’s Degree Scholarship, CAFA, Beijing, China |
2015 | Winner of 2014-2015 Academic Year Postgraduate Scholarship Outstanding Work Award, Rhyme Sculpture Creative Finalists, CAFA, Beijing, China |
2014 | Outstanding Award for the work “Staircase”, Jiangsu Ceramic Art Competition Show, China The Best Creative Work Award, Chinese Ceramic Art 100, Beijing, China |
2013 | Grand Prize for the work “Box, Machine”, 2nd Gaoling International Art Competition, China Second Prize for the work “Wall”, the 3rd Biennale of Western China Ceramic Art, China |
2012 | Undergraduate Graduation Exhibition Third Prize, Central Academy of Fine Arts, Beijing, China |