Tamen+ is an artist collective formed in 2003 by artists Lai Shengyu and Yang Xiaogang, who were born in China’s Hunan Province in 1978 and 1979, respectively. Both received post-graduate degrees from the Central Academy of Fine Arts in the Department of Printmaking and are currently based in Beijing working at Beihang University (BUAA) in the Department of New Media Art. The duo has traveled widely and rejects contemporary society’s infatuation with the individual by seamlessly collaborating on and co-painting each work. They have gained acclaim in China and abroad for their Same Room series of paintings, and have since shifted towards exterior scenes in natural landscapes, displaying Western-style painting techniques and thought-provoking conceptualizations.
Lai Shengyu and Yang Xiaogang’s collaborations are part of the new trend of Chinese contemporary art where thought exercises are staged on canvas. The two artists co-paint, co-operate and co-practice, placing emphasis on communication and dialogue, both in the process and results of their work. Before beginning a work, a general theme and setting may be discussed, while the rest of the conversation occurs through the painting as they alternate working on the piece, continuously adding upon the other’s work, with neither having the right to erase the work of the other.
Tamen+ is an artist collective formed in 2003 by artists Lai Shengyu and Yang Xiaogang, who were born in China’s Hunan Province in 1978 and 1979, respectively. Both received post-graduate degrees from the Central Academy of Fine Arts in the Department of Printmaking and are currently based in Beijing working at Beihang University (BUAA) in the Department of New Media Art. The duo has traveled widely and rejects contemporary society’s infatuation with the individual by seamlessly collaborating on and co-painting each work. They have gained acclaim in China and abroad for their Same Room series of paintings, and have since shifted towards exterior scenes in natural landscapes, displaying Western-style painting techniques and thought-provoking conceptualizations.
Lai Shengyu and Yang Xiaogang’s collaborations are part of the new trend of Chinese contemporary art where thought exercises are staged on canvas. The two artists co-paint, co-operate and co-practice, placing emphasis on communication and dialogue, both in the process and results of their work. Before beginning a work, a general theme and setting may be discussed, while the rest of the conversation occurs through the painting as they alternate working on the piece, continuously adding upon the other’s work, with neither having the right to erase the work of the other.
1978 | Lai Shengyu: Born in Shaoyang, Hunan Province, China |
1979 | Yang Xiaogang: Born in Ningxiang, Hunan Province, China |
2001 | BA in Printmaking Department, Central Academy of Fine Arts, Beijing |
2004 | Lai:MA, Printmaking Department, CAFA |
2005 | Yang: Master of Fine Arts, Printmaking Department, CAFA |
SOLO EXHIBITIONS
2018 | Tamen+’s Metamorphoses – From the Sublime to the Ridiculous, Powerlong Art Center, Shanghai, China 8 Immortals: New Works by Tamen+, Art+ Shanghai Gallery, Shanghai, China Mobile Theatre: They Solo Exhibition, Yang Gallery, Singapore |
2017 | One World, One Dream, Tamen+ Solo Exhibition, Rong Bao Zhai Hong Kong Exhibition Space, Hong Kong |
2016 | Floating World, Yang Gallery, 798, Beijing |
2015 | Micro-thought and the Micro-thought: TAMEN Apocalypse, Book Launch, Guangzhou Yuexiu, District Library, Guangzhou, China |
2014 | Outside Within: New Works by Tamen, Art+ Shanghai Gallery, Shanghai |
2013 | Forget Themselves, Hunan Fine Arts Museum,Changsha, China |
2012 | Collective Memory, Canvas International Art, Amstelveen, The Netherlands |
2011 | Past and Present, They Solo Exhibition, Beyond Art Space, Beijing, China |
2009 | They, The Lost Heaven, Museum of Hunan Province They, Canvas International Art, Amstelveen, The Netherlands |
2008 | They, New York Asian Contemporary Art Fair, New York, USA Art Classroom, China Today Gallery, Brussels, Belgium |
2007 | They, Pyo Gallery Beijing, Beijing, China |
2006 | Tamen, Pyo Gallery, Seoul, Korea |
2004 | Therefore It’s Them and Surely It’s Them, The First Dashanzi Art Festival, Beijing, Long March Gallery, Beijing 798 Arts Center, Beijing |
GROUP EXHIBITIONS
2018 | Art Central Hong Kong, Art+ Shanghai Gallery, Hong Kong |
2017 | Art Central Hong Kong, Art+ Shanghai Gallery, Hong Kong |
2016 | Art Central Hong Kong, Art+ Shanghai Gallery, Hong Kong |
2015 | Art Central Hong Kong, Art+ Shanghai Gallery, Hong Kong Art Stage Singapore, Art+ Shanghai Gallery, Singapore |
2014 | Mind-Painting and Memory-Recording, Gallery Beijing Space, Beijing |
2013 | Remote from Streams and Mountains – Pure Views, Fukuoka Asian Art Museum, Japan Altered Shan Shui States, Red Gate, Beijing Remote from Streams and Mountains – New Painting from China, Arts Santa Monica, Barcelona,Spain |
2012 | Rising Dragon – Contemporary Chinese Photography of Art, Art Museum of Katonah, New York, USA We Are Asia, Art Stage Singapore, Singapore |
2011 | Chengdu Biennale – Changing Vistas: Creative Duration, Chengdu Utopia Nowhere: Views of Progress and Nostalgia, Art+ Shanghai Gallery, Shanghai Pure Views: New Painting from China, Asian Art Museum, San Francisco, California, USA |
2010
| First Exhibition of Chinese Contemporary Art: Transformation of Chinese Art History 2000-2009, National Convention Center, Beijing Inertia, Consulate General of Spain, Shanghai The Big Bang – Contemporary Chinese Art from the White Rabbit Collection, White Rabbit Museum, Sydney, Australia Consumer Image, Age Gallery, Beijing Games: Young Chinese Artists, White Box Museum of Art, 798 Art District, Beijing Metropolis Now!: A Selection of Chinese Contemporary Art, Meridian International Center, Washington D.C., USA Chengdu Biennale, Chengdu, China Bearing of Hunan and Hubei – Chinese Contemporary Art 1985-2009, Guangdong Museum of Art, Guangzhou, China Art Beijing, Beijing, China |
2009 | Metropolis Now!: A Selection of Chinese Contemporary Art, Meridian International Center, Washington D.C., USA Chengdu Biennale, Chengdu, China Bearing of Hunan and Hubei – Chinese Contemporary Art 1985-2009, Guangdong Museum of Art, Guangzhou, China Art Beijing, Beijing, China |
2008 | China – Facing Reality, National Art Museum of China, Beijing, China China Contemporary Art, National Art Museum of Singapore, Singapore The New Interest – Chinese Contemporary Art, Ho-Am Art Museum, Seoul, Korea Being Butterfly, Museum of Contemporary Art (MOCA), Shanghai Art Dubai, Dubai, United Arab Emirates Art Hong Kong, Hong Kong Art Cologne, Cologne, Germany Art Chicago, Chicago, Illinois, United States Shanghai Contemporary, Shanghai, China China Now 2, Canvas International Art, Amsterdam, The Netherlands |
2007 | Floating: New Generation of Art in China, National Museum of Contemporary Art, Gwacheon, Korea Many Reality, Museum of Modern Art, Salzburg, Austria Asia New Wave, ZKM Museum, Karlsruhe, Germany The First Today’s Documents 2007: Energy, Today Art Museum, Beijing, China Art Fire in Dubai, Dubai, United Arab Emirates Art Chicago, Chicago, Illinois, United States VOLTA Art Fair, Basel, Switzerland Art Cologne, Cologne, Germany Shanghai Contemporary, Shanghai, China |
2006 | Made in China: Young Art and Fresh Film Festival, Berlin, Germany China Today – Images of Changing World, Essl Museum, Vienna, Austria Body – Boundary, Chambers Fine Arts, New York, United States Art Beijing, Beijing, China Art Cologne, Cologne, Germany KIAF (Korean International Art Fair), Seoul, Korea CIGE (China International Gallery Exposition), Beijing, China |
2005 | Grounding Reality: New Chinese Contemporary Art, Seoul Art Center, Seoul, Korea The Second Reality: Photographs from China, Piazza of Berlaymont Building, European Commission, Brussels, Belgium Central Academy of Fine Arts, Beijing, China |
PRIVATE AND INSTITUTIONAL COLLECTIONS
Eskenazi Collection of Chinese Art, London, UK
Guangdong Museum of Art, Guangzhou
Essl Museum, Vienna, Austria
White Rabbit Collection, Sydney, Australia
Fukuoka Art Museum, Fukuoka, Japan
Tan Guobin Contemporary Art Museum, Changsha
Nokia Corporation, Finland
Samsung Group, Korea
French Ministry of Culture, France
2006 | Best New Comer Award, Critics Award at China Contemporary Art & Literature Exhibition, nominated by CCAA (Chinese Certification and Accreditation Association) Chinese Contemporary Art Award |
2004 | Outstanding Post-Graduate Work Award, Central Academy of Fine Art, Beijing, China |
1999 | Gold Award at the Nokia Asia Pacific Region “I See the Future” Art Grand Prix |